Röntgen's report explained why a hand could produce a shadow image:
different materials attenuated the rays differently, and a photographic
plate registered what passed through. The resulting projection flattened
structures at different depths onto one surface. Position, tube output,
distance, exposure, movement, plate sensitivity, and chemical processing
could all change the result. Early users therefore had to learn which
features represented anatomy, disease, a foreign object, or an artefact
(Röntgen;
Warwick).
Jastrowitz's January 1896 article makes the distinction between promise
and proof especially clear. His plausible claims about bones and foreign
bodies sit beside speculation that denser tumours or the site of an
intestinal obstruction might become visible. As a contemporary physician's
response, the article reveals what the new image encouraged clinicians to
imagine; it cannot be read as a modern evaluation of sensitivity,
specificity, or patient outcome
(Jastrowitz).
Historians have consequently resisted a universal story of instantaneous
acceptance. In German orthopaedics, Andrew Warwick found that the value of
images depended on the body region, the case, and arguments about how
fractures should be treated. In US hospital records, Joel Howell found a
long interval between published enthusiasm and routine use. These studies
do not deny rapid experimentation; they explain why publicity, possession
of a machine, and integration into care were different events
(Warwick;
Howell).